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Posts Tagged ‘Montreal Just For Laughs’

The Basics

July 17, 2011

I Want To Be A Loser – Like Frank Sinatra

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The Montreal Just For Laughs Festival is pretty amazing.  It feels good to finally be here, doing my thing.  But when I read this article by Bob Greene which originally appeared on CNN.com, it reminded me how fleeting fame is and how important it is to stay grounded and surround yourself with people who don’t care how successful you are. Thankfully, I am surrounded by great people – from my wife, friends and family to my attorneys at Myman-Abell but it never hurts to check yourself.  Now I know why Frank was so fiercely loyal and that is a quality in short supply these days.  I only pray that I can also be remembered this way.

Frank Sinatra’s lesson in loyalty

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Some people are so big during their lives, even death doesn’t seem to entirely take them away.

So it is with Frank Sinatra. He left this earth in May of 1998, yet there is seldom a day when you don’t hear his voice drifting out of a radio, seldom a week when you don’t catch a flash of his face on a television screen, or read a reference to him in a newspaper or a magazine. Sinatra: The word itself signals something. Those three quick syllables: sharp, snappy, staccato. The images the name brings to mind: the Rat Pack, ring-a-ding-ding, very good years, strangers in the night. Many adored him, some despised him; few were indifferent.

In New York, especially, his voice remains omnipresent. His “New York, New York” might as well be the city’s official anthem. Many times when I’ve visited Manhattan I have walked past what was said to be Sinatra’s favorite restaurant: an unprepossessing-enough-looking Italian place on West 56th Street called Patsy’s. This, Sinatra legend has it, is the spot where he could relax, where he felt most at home.

I’d never gone inside. I had imagined it as a peak-of-the-mountain place, a restaurant where only the most savvy would congregate, men and women who were at the pinnacle of their games, who had long ago learned and mastered all the angles. After all, this was where Sinatra had his regular table, wasn’t it? How could mere mortals have a shot at fitting in?

This trip, I came in for dinner. And learned a lesson.

Sinatra, in his chairman-of-the-board years, in his sell-out-every-seat-in-the-concert-hall decades, did, in fact, gravitate to this place. But it wasn’t because he was the biggest name in entertainment. It was because at one point in his life, he feared that he might be finished.

“My grandfather was the first member of our family to know him,” said Salvatore J. Scognamillo, the current chef and co-owner of Patsy’s.

The grandfather — Pasquale “Patsy” Scognamillo — had co-owned a restaurant nearby called the Sorrento during the first years of the 1940s. The young Sinatra was brought in one day by his boss, bandleader Tommy Dorsey. “I’ve got this skinny kid from Hoboken,” Dorsey reportedly told Patsy Scognamillo. “Fatten him up.”

Sinatra swiftly became an international singing idol whose voice and face made women and girls scream and faint; riots broke out at his concerts. Patsy, meanwhile, left the Sorrento and opened Patsy’s. Both men — the crooner and the cook — were doing well for themselves.

But in the early 1950s, Sinatra’s career crashed. He was no longer a kid. His records stopped selling. His romance with Ava Gardner was on the rocks. His record company dropped him. The winner suddenly was being widely seen as a loser, washed up.

People who follow the Sinatra story know about the eventual comeback: how he landed a role in the movie “From Here to Eternity” and won an Academy Award, how his career zoomed again, how he became the living symbol of success and swagger.

Yet in those down years, no one could have anticipated the rebirth. Sinatra was a has-been, yesterday’s news.

“He would come in to the restaurant alone for lunch,” Sal Scognamillo said to me. I could tell that this was a thrice-told family tale — or a thrice-times-thrice-told tale. That didn’t make it any less compelling.

“My grandfather would sit with him,” Sal said. “There would be people eating lunch who would avoid making eye contact with Sinatra — people who used to know him when he was on top. Sinatra would nod toward them and say to my grandfather: ‘My fair-weather friends.’”

One November, on the day before Thanksgiving, Sinatra asked Patsy if he would make him a solo reservation for the next day. “He said he would be coming in for Thanksgiving dinner by himself,” Sal said. “He said, ‘Give me anything but turkey.’ He didn’t want to think about the holiday, but he didn’t want to be alone.”

The restaurant was scheduled to be closed on Thanksgiving. But Patsy didn’t tell Sinatra that; he told him that he’d make the reservation for 3 p.m. He didn’t want Sinatra to know that he was opening especially for him, so he invited the families of the restaurant’s staff to come in for dinner, too. He cooked for Sinatra, on that solitary holiday, and it wasn’t until years later that Sinatra found out.

That’s where the loyalty came from. That’s why Sinatra never stopped coming to the restaurant. In later years, when Patsy’s would be jammed with diners hoping to get a glimpse of him, few understood why the most famous singer in the world would single out one place as his constant favorite.

It was no big secret to the Scognamillo family. They all knew. A person recalls how he is treated not when he is on top of the world, undefeated, but when he is at his lowest, thinking he will never again see the sun.

“Up those stairs, that’s where Sinatra used to have his table,” I heard a man say to his date as they entered the restaurant. He’s still packing them in, 13 years after his death.


‘Who remembers a kindness that comes when kindnesses are in short supply? Who most treasures being made to feel welcome when every door seems to be slamming shut?

In the wee small hours of the morning, only the lonely.’

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CNN contributor Bob Greene is a best-selling author whose books include “Late Edition: A Love Story” and “Once Upon a Town: The Miracle of the North Platte Canteen.”

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-Kahlil (at) gigsmacked (dot) com

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The Basics

June 30, 2011

When does rejection become opportunity? EXAMPLE:

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The Montreal Just For Laughs Festival is the largest and most respected comedy festival in the world.  It has long been a dream of mine to perform Basic Training there and after selling out several major festivals around the world, I thought this one would be a great opportunity.  On July 14-22 I will be performing my show at the Montreal Just For Laughs Festival.  How long did it take me to get my foot in the door?

2002 – I sent a tape in.  no response

2003 – I sent a tape in, called 17 times. no response, no return phone call

2004 – I performed my show at the Montreal Fringe Festival, received an Honourable Mention from Just For Laughs due to the fact that my show was not considered a comedy.

2005 – Called and emailed several times to get my show staged at Just For Laughs. No response.

2006 – Called and emailed – no response

2007 – Made contact, then the trail went cold.  Tried to follow up.  No response.

2008 – Called and emailed – no response

2009 – Called and emailed – no response

2010 – Called and emailed – got a response

2011 – Performing at Montreal Just For Laughs.

I look at this list and I don’t see 9 years of rejection, I see 9 years of opportunity.

Embrace the rejection and use it.

-Kahlil (at) gigsmacked (dot) com

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On The Road

August 1, 2010

The Overhauling of Showbiz -GUEST POST by Andy Nulman

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Andy Nulman on The Craig Ferguson Show

This content originally appeared on POW! Right Between The Eyes! the blog of Entrepreneur, Business Guru and all around great guy Andy Nulman.

I’d normally list a bio here but Andy has done way too much cool stuff (he started the world famous Montreal Just For Laughs Festival). Read more about Andy Nulman here.

THE OVERHAULING OF SHOWBIZ (excerpt)

‘Tom Silverman, founder of Tommy Boy Records dropped this bomb at his 2010 New Music Seminar in New York:

  • Of the some 100,000 albums released last year, 17,000 of them sold only one (!) copy
  • More than 81,000 albums sold under 100 copies.
  • Just 1,300 albums sold over 10,000 copies (an astonishing figure given that these numbers combine physical and digital album sales)

Yowtch!

But this type of paradigm shift (now there’s a term I’m sure you haven’t heard in a while!) is happening everywhere in the world of leisure:

  • Amazon reported that digital ebooks are now outselling its hardcovers.
  • The geeks have inherited the earth and now rule Hollywood’s roost thanks to Comic-Con.
  • Other than tentpole events, more TV is timeshifted than watched live…and watched on devices other than TVs.
  • Green Day is simultaneously appearing in huge outdoor concerts, on Broadway and in Rockband.

The Web is changing, and will continue to at a dizzying pace, the way people find out about shows, the way they buy tickets to them, the way they attend them, the way shows are marketed and–most notably–the content of the shows themselves.

Given AttentionSpan 3.0, how can I continue to shoot TV shows on a single-focused, old-Broadway-styled stage, and present them to an at-home audience with only one moving image on screen at a time?

So here’s this week’s brain-splattering lesson:

The music biz is just the canary in the coalmine; The Web is about to destroy and overhaul all of showbiz as we know it.

Them’s tough words, but they’re true.

The evidence is everywhere.’

-Andy Nulman

www.andynulman.com

Still don’t get it? Read this: Talent Isn’t Enough.

Kahlil (at) gigsmacked (dot) com

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